![]() It’s both a conversation about land art and ancient history, in a very mute style. ![]() ![]() “We simply gathered our tools and came quite literally into conversation in and of the moment, with actions being taken, prints being made, outlines being drawn, each with our own touch but pulled together by a shared ideation of what we were feeling attracted to in the moment.” “The work was created the night before the show, freely and playfully,” Cheshewalla said. There’s even an opportunity for visitors to engage by leaving a handprint or two on a wall. The gallery features paintings of human silhouettes, mounds, and hand and footprints made by both the artists. Simply put, Sarah Rowe and Lydia Cheshewalla sourced soil and used it as their medium in this exhibition. The show “explores reciprocal human and more-than-human kinship systems through acts of somatic co-regulation with place, land, and earth,” as said by the exhibit’s press release. This includes two Omaha artists who collaborated on the group exhibition, “GROUNDING”, at the Generator Space, open until August 19. Many contemporary artists have explored this connection between art and soil, like Timo Fahler, Rafa Esparza, Ana Mendieta, Jonathan Herrera Soto, Jezabeth Roca González, among many other wonderful artists. This creator deity fashioned humans from the earth in a very typical ceramicist fashion, though instead of firing his works, he breathes into them. So goes one of the foundational Christian creation myths, which can also be seen as an act of pottery. “In the sweat of your face you shall eat bread till you return to the ground, for out of it you were taken for dust you are, and to dust you shall return.” Opening of Grounding by Lydia Cheshewalla and Sarah Rowe at Amplify Arts’ Generator Space.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |